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Pink Floyd live at Carnegie Hall, New York 1972 (Audience Recording) | LDS 061
Pink Floyd live at Pompeii
Download: Part 1 / Part 2
Torrent: LINK
In May of 1972, Pink Floyd would step into London’s Abbey Road studios for the first recordings of the decade defining release Dark Side of the Moon. During the first half of the year, the group was still touring material from their last two LP’s Meddle and Atom Heart Mother with the 30+ minute opus “Echoes” at the center of these tours. With Gilmour stepping into the band and Barrett soon leaving, Pink Floyd evolved into a very different state between the late 60′s and early 70′s. With a plethora of live material available in the collectors network, the perspective of the sonic transition that takes place with Pink Floyd is a very drastic one between 1971 and 1973. It’s a state in which reflects how their compositional approach and emotional range had changed inside of the dynamic of the group. “Echoes” defines this era well and was a sound years ahead of its time. The live versions are some of the most special Pink Floyd moments ever captured to tape.
New York is a mecca for all cultures and lifestyles and Pink Floyd was accepted into the ranks of their upper echelon with two appearances at the prestigious Carnegie Hall on May 5th and 6th in 1972. The set we are presenting as a FLAC download was captured on the second evening. It’s a very well captured audience stealth recording that’s incomplete but one of the best sounding audience sources from 1972. The band had already premiered Dark Side of the Moon in the beginning of the 1972 in England and was on a creative storm with their live scheduling and new sonic possibilities inside the expanding multi-tracking studio evolution. 1972 was active with touring for Floyd, especially in the first half. First the UK, then Asia, Australia and finally leading up to their 6th full tour of the States, the Carnegie Hall May 1972 recording shows Floyd well oiled and on fire. Most importantly, the recording shows the transformation of the psychedelia dream land that was the first incarnation of the group and into the material that would define Dark Side, Wish You Were Here and the material after it.
This has become one of my favorite Pink Floyd recordings in the last few years and is an experience we hope you have some time for. Full details on the recording have been collected below from various sources online. Trade this freely with fellow Pink Floyd fans, never resale or let individuals / record stores do so.
Download: Part 1 / Part 2
Torrent: LINK
Pink Floyd
Carnegie Hall
New York City, USA
May 2, 1972
AUD A-
01 One Of These Days (11:46)
02 Careful With That Axe, Eugene (14:04)
03 Echoes (31:24)
04 A Saucerful Of Secrets (14:47)
TT – 72:03
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Don Cherry & George Gruntz Group live in Tunisia and Stuttgart FM Broadcast 1969 | LDS 060
George Gruntz ‘Noon In Tunisia’ MPS Records & SABA (1967)
A very special thanks goes out to Dimeadozen.org member woessner for making this recording available. Timeless music that was set free through FM channels and is readily available for the public to study and enjoy. The passing of George Gruntz recently is another reason we are posting this new edition of Love Devotion Surrender, a series that has been in hiatus for over half a year at Sound Colour Vibration.
Don Cherry remains one of the strongest and unique trumpet players of his eras and his inclusion into this heavy ensemble is rich in form. George Gruntz had the same type of legacy when these two would collaborate for live performances in 1969. The FM recording preserved the sets captured in both May and September of 1969 very well, allowing the instruments to breath in a way you don’t get from a lot of the torrents uploaded from pre-70′s era. This is music that speaks to my soul and music we hope speaks to yours.
-Erik Otis
Download Part 1 | Part 2 | Part 3
+++
From Dimeadozen.org | http://www.dimeadozen.org/
Download the torrent from Dimeadozen
Don Cherry & George Gruntz Group
Tunisia
May 1969
George Gruntz – piano, celeste
Don Cherry – cornet, flute
Sahib Shihab – flute, alto flute, soprano saxophone
Henri Texier – bass
Daniel Humair – drums
Salah El Mehdi – ney, flute
Moktar Slama – bendire, bagpipe, mezuette, soukra
Jelloud Osman – ney, bendire, mezzuette, bagpipe
Hattab Jouini – tabla, darbouka, bendire
01. Untitled intro 0:44
02. Buanuara 5:23
03. Alaji 3:43
04. Salhe 1:36
05. Nemeit 5:04
06. Fazani 5:00
Beethovensaal der Liederhalle
Stuttgart, Germany
5 September 1969
Same personnel and Eberhard Weber – bass
07. Mahgreb Cantata part 1 (Is Tikhbar, Ghitta, Alaji) 11:25
08. Mahgreb Cantata part 2 (Djerbi, M’rabaa, Buanuara) 22:21
09. Mahgreb Cantata part 3 (Nemeit, Hayadanumuyama, Fazani) 18:03
Total Time: 73:23
Discographical information adapted from Don Cherry – Unissued Recordings: http://web.comhem.se/kassman/doncherry.htm
See also http://www.plosin.com/milesahead/Tapes.aspx?s=19690905
FM>?>Trade CD>EAC>FLAC>Vuze>Dimeadozen
George Gruntz (24 June 1932 – 10 January 2013)
LDS 059: Soft Machine 09/01/70 BBC Radiophonic Workshop
Huge thanks goes out to Dimadozen.org member propylaen for uploading this extremely rare gem. We are proud to present volume 59 of Love Devotion Surrender with a very special recording made by BBC for the Radiophonic Workshop programs of the Soft Machione. One of our favorite groups with a unique recording unlike anything we have heard before; simply astonishing realities. BBC is an incredible and vital piece of modern music culture and this is further proof that they were covering the best.
Soft Machine
BBC Radiophonic Workshop
Recorded September 1st, 1970
Broadcast October 6th, 1970 on BBC Radio 3
FM > cass. > ? > CDR > EAC > trade CDR
Excerpt from Michael King’s book “Wrong Movements”:
‘Analysis Of A Session With Soft Machine’ is a thirty minute programme combining the initial Radiophonic Workshop demonstrations with the Olympic Sound session where ‘Eamonn Andrews’ was recorded with the instruments processed through a VCS3 (Voltage Controlled Synthesizer).
The Olympic Sound session in question was recorded a few days earlier on August 27.
Uploaded to DIME by propylaen on May 17, 2012.
Enjoy!
also…
SOFT MACHINE:Alive In Paris 1970 -
Voice Print 2008 – 62 minutes. Recorded March 2, 1970 at Theatre de la Musique, Paris
LDS 058: Frank Zappa and The Mothers of Invention The Beat Club, Bremen, West Germany October 1968 FM Broadcast
Love Devotion Surrender Volume 058: Frank Zappa and The Mothers of Invention The Beat Club, Bremen, West Germany October 1968 FM Broadcast
From FZShows:
6-Oct 1968, The Beat Club, Bremen, West Germany
33 min, FM, A+
From a German TV program, called “Liederliches”.
Improvisations, King Kong, The String Quartet, Uncle Meat, Lohengrin, Let’s Make The Water Turn Black, Octandre
Lineage: TV Broadcast->VHS->VHS->HD->SoundForge (editing, tracking, level adjustments)->FLAC Frontend
Technically, “1st gen” might not be really appropriate when, as in this case, it’s a copy of an off-the-air recording. But I think it’s sort of become common practice to count generations that way with broadcasts, so that off-the-air = master. This is from a rebroadcast of the “Liederliches” show, where I’ve edited out the segments that come from a later date. Some volume fluctuations near the beginning, which I believe is on all versions – I’ve evened some of it out.
- Improvisations
- King Kong
- Pound For A Brown
- Sleeping In A Jar
- Uncle Meat
- Lohengrin
- Let’s Make The Water Turn Black
- Octandre
Plus, for added Zappa and The The Mothers of Invention from 1968…
Frank Zappa & The Mothers Of Invention 1968-10-23 Paris
Frank Zappa and the Mothers Of Invention
French TV program “Forum Musiques”
Oct. 23, 1968
A Pound For A Brown (On the Bus)
Sleeping In A Jar
Octandre (Varèse)
FZ–guitar
Don Preston keyboards
Motorhead Sherwood tambourine
Roy Estrada–bass vocals
Jimmy Carl Black drums
Arthur Dyer Tripp III drums
Ian Underwood clarinet
Bunk Gardner soprano sax
*Photo is from Frank Zappa’s performance at the historic Miami Pop Festival of May 1968 and comes from the message boards of zappa.com (Source)
LDS 057: King Crimson Palazzo Dello Sport, Turin Italy November 12, 1973
Download Part 1 / Part 2 / Part 3
November 12th 1973
Palazzo Dello Sport, Turin Italy
AUD* 92min (47.15/44.58)
Line up = Fripp, Wetton, Cross, Bruford
Disc 1
1.1 No Pussyfooting
1.2 Larks’ Tongues In Aspic I
1.3 Peace: A Theme
1.4 Cat Food
1.5 The Night Watch
1.6 Book Of Saturday
1.7 Easy Money
1.8 Improv: Turin I
1.9 Exiles
Disc 2
2.1 Fracture
2.2 Lament
2.3 Improv: Turin II
2.4 The Talking Drum
2.5 Larks’ Tongues In Aspic II
2.6 21st Century Schizoid Man
*pitch corrected and retracked from the original ‘time machine’ bootleg. King Crimson Live has a bootleg ‘NIGHTMARE Sirene-175′ listed which matches the track titles for each disc. However, this torrent is taken directly from my ‘pitch corrected’ master which I created back in 2003.
show notes:
- Improv I includes ideas that would eventually go into Starless;
- The middle section of Improv II is similar to the middle section of The Law Of Maximum Distress (from Zurich a few days later);
A big ‘high five’ to anyone downloading this.
Now, goto www.dgmlive.com and buy something.
Enjoy.
LDS 056: Rahsaan Roland Kirk & the Vibration Society @ the Jazz Workshop, Boston 1972-10-29
Download Part 1 / Part 2 / Part 3
Rahsaan Roland Kirk & the Vibration Society
Jazz Workshop, Boston 1972-10-29
personnel:
Rahsaan Roland Kirk, saxes/flute
Robert Shy, drums
Henry Pete Pearson, bass
Ron Burton, piano
Arthur Perry, drums/percussion
track list:
1. Rahsaan’s intro
2. ?
3. Improvisation
4. talk
5. Epistrophy
6. ?
7. Serenade to a Cuckoo
8. talk
9. ?
10. Say A Little Prayer
11. Dem Red Beans And Rice
12. The Inflated Tear
13. talk
14. Blacknuss
15. talk
lineage:
fm>??>cdr>eac>wav (re-edited tracks)>flac (level 6, sector aligned)
+++
Photo credit: Rahsaan Roland Kirk 1972 (Heinrich Klaffs Collection)
LDS 055: Pink Floyd 1971-10-17 Convention Hall, Community Concourse, San Diego, CA
Download Part 1 / Part 2 / Part 3
Pink Floyd
“New Mown Grass”
PinkRoioShn-CDR-008 (PRS-CDR-008)
date/venue: 1971.10.17 Convention Hall, Community Concourse, San Diego, CA
lineage: cass[M] > cass[1] > Hi-Fi > DAT[2] > shn @ 16bit/48khz > TLH > wav > Adobe Audition
1.5 (speed and pitch correction) > cd wav (cutting tracks and flac conversion)
> flac @ 16bit/48khz
Disc 1:
01. Careful with that Axe, Eugene [12:59]
02. Fat Old Sun [15:37]
03. Atom Heart Mother [15:52]
04. The Embryo [11:41]
Disc 2:
05. Set The Controls For The Heart Of The Sun [12:48]
06. Cymbaline [11:41]
07. Blues [5:40]
total length: 86:21
notes:
What you now have in your possesion is quite possibly the greatest live Pink Floyd performance ever captured. CwtAE and FOS are amongst the best renditions I have ever heard. The rest of the show is absolutely stellar as well but CwtAE and FOS steal the show. Gilmour and Rick were exceptional on this night and they’re playing on these two tracks is enough to make you shed a tear.
I am pleased to present to you a speed and pitch corrected version of this event in history. Previously this tape was out of pitch and the speed was a bit slow. I have corrected this. And now for the disclaimer… I do all my speed and pitch adjustment by ear only and not with the use of comparing against other shows or individual tracks or any crazy tools. I do not guarantee the speed or pitch to be completely accurate, this is basically my interpretation of the way I have always wanted this show to sound. No remastering was applied to this at all (as if it needs any).
I would also like to give a shout out to Mr. Simpson for originally transferring this gem from the Hi-Fi source and clarifying the lineage for us. This was previously circulating under 1st gen Hi-Fi but has been determined not to be the case. The master tape had been lost soon after the event and the taper was left with only his 1st gen backup which all other versions of this show come from in one way or another.
I sincerely advocate the use of substances while listening to this ;-)
Enjoy!!!
-buffalofloyd
2006.09.12
Special thanks to:
PINKROIOSHN hub
***************************
http://pf-db.com/signup.php
***************************
IN FLOYD WE TRUST hub
********************************************
http://pinkfloydsound.altervista.org/eng.htm
********************************************
Yeeshkul
***********************
http://www.yeeshkul.com
***********************
*******************************************************************
*******************************************************************
************** DON’T CONVERT TO LOSSY GARBAGE ********************
************** DON’T REMASTER ********************
************** BLAH BLAH BLAH !!!!!!!! ********************
*******************************************************************
*******************************************************************
LDS 054: Taste live in Stadthalle, Basel, Switzerland February 1, 1970
Taste
Basel Or Bust
1. Morning Sun
2. Sugar Mama
3. I’ll Remember
4. Walkin’ Blues
5. Eat My Words
6. Railway And Gun
7. I Feel So Good
8. What’s Going On
9. Catfish
10. Same Old Story
Rory Gallagher – guitar, harp, vocals
Richard McCracken – bass
John Wilson – drums
LDS 053: Ornette Coleman “Newport In New York” Philharmonic Hall 1972
1972-07-04
NYC
Newport in New York
Philharmonic Hall
Ornette Coleman-alto
Dewey Redman-tenor
Charlie Haden-bass
Ed Blackwell-drums
American Symphony Orchestra, Leon Thompson-conductor
Skies of America:
1. 33:19
2. 10:46
3. 8:23
audience<!–?<cdr<eac<flac frontend
LDS 052: Return To Forever July 10, 1974 Pennsylvania (FLAC)
Download Part 1 / Part 2 / Part 3
Return to Forever
The Main Point
Bryn Mawr, Pa. (just outside Philly)
July 10, 1974
Late Show
1. Beyond the Seventh Galaxy 3:11
2. Introductions 1:26
3. Song to the Pharoh Kings 20:32
4. The Shadow of Lo 11:18
5. Chick and Stanley’s Duet 10:47
(tape flip)
6. Duet 0:47
7. Unknown title 7:11
8. Drum solo 4:47
9. Vulcan Worlds / Beyond Reprise 15:49
10.Space Circue / Beyond Reprise 15:23
TT: 91:33
Chick Corea – Keyboards
Al DiMeola – Guitar
Stanley Clarke – Bass
Lenny White – Drums
Sony Stereo Cassette recorder/JVC stand alone burner
/CD Wave Editor/Flac/You
1974 concert from Return To Forever performing ‘Song To The Pharaohs King’ at Ebbets Field in Colorado
Photo credit: Return to Forever at the 1974 Mississippi River Festival, Edwardsville, IL
LDS 049: Last Exit (Sonny Sharrock / Peter Brotzmann / Bill Laswell / Ronald Shannon Jackson) Allentown Pennsylvania September 27 1987 (FLAC)
Love Devotion Surrender 49: Last Exit (Sonny Sharrock / Peter Brotzmann / Bill Laswell / Ronald Shannon Jackson) Allentown Pennsylvania September 27 1987 (FLAC)
Original Notes:
Last Exit
Some Strip Mall
Allentown Pennsylvania
September 27 1987
Recorded with a mic stand from the front row
Recording lineage
Aud>Sony stereo mic>Marantz PMD340>Master Cassette>
This seed
CDR>Xact>Flac
Sonny Sharrock
Peter Brotzmann
Bill Laswell
Ronald Shannon Jackson
It would be silly to do a tracklist for a band that never had a setlist, but heres how it tracks out:
Track 101
Track 102
Track 103
Track 104
Track 105
Track 201 (see note)
Track 202
Track 203
Track 204
Track 205
Track 206
Track 207
Notes:
This concert was presented by a fairly well-known arts organization whose name escapes me, but the venue was literally an empty storefront in a mostly vacant strip mall
track 201…….the last 3 minutes have been released as My Balls/Your Chin on the Cassette recordings 87 album and have been edited out of this torrent
LDS 048: James Brown live in Kinshasha, Zaire, Africa September 1974 (SBD)
Enjoy this unofficial soundboard recording with the entire full concert, unlike many of the edits that appear on the multi-tracked professional releases. This source contains some hiss as it is a raw soundboard recording, but the recording is timeless on all levels, a must have for any collector of rare tapes. This is James Brown spreading his message to thousands in Africa and is one of many stellar moments in his 40+ year legacy. The video that was released from this performance is unreal and can be found on the Soul Power DVD with performances from James Brown, Celia Cruz and the Fania All-Stars, B.B. King, Miriam Makeba, The Spinners, Bill Withers, and Manu Dibango. The footage was included around the famous Rumble in the Jungle heavyweight boxing championship match between Muhammad Ali and George Foreman held in Africa a month after this concert. James Brown is one of our favorites and his bands were always in top form, something that you hear in this show from start to finish. When James Brown tells the horns go, the horn lines lock in so fast that it becomes surreal. He commands his band and interacts with the audience, sings and dances all at the same time in a way nobody has been able to come to close to. A true pioneer.
-Erik Otis
++++
James Brown
The Godfather Goes To Africa
Kinshasha, Zaire, Africa
September 1974
Liberated from Big Fro – BF-023
Sound: Slightly Hissy SBD
Silver CD > EAC > FLAC (lvl 8)
- Intro
- The Payback
- Soul Power
- The Boss
- Make It Easy
- Doin’ It To Death
- Bewildered
- Sex Machine
- Interlude
- The James Brown Theme Part 1
- The James Brown Theme Part 2
- Caught With A Bag / Gimme Some More
- Get On The Good Foot Part 1
- Get On The Good Foot Part 2
- It’s a Man’s World Jam Part 1
- It’s a Man’s World Jam Part 2
- Money
- Finale
FLAC Download: Part 1 / Part 2 / Part 3
Taken from the film “Soul Power” This is the opening tune from James Browns set at the pre-fight concert for the “Rumble In The Jungle”. Filmed live in Zaire in 1974.
*These recordings are not released officially and we suggest that you don’t not buy suspect looking live recordings from record stores, as many of these releases are shared freely in many places. We have the hopes of archiving enough material where people can access so many recordings for free that the concept of buying a bootleg live recording from a record store, ebay, etc does not exist.
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Label Spotlight
Porter Records
2935 S. Fish Hatchery Rd, #414
Madison, WI 53711 / USA
Porter Records was born in 2005 out of a love for crate digging in the basements of record shops. Porter’s founder, Luke Mosling, has a talent for finding the obscure, beautiful and strange recordings that may have previously gone unheard by a larger audience. This talent started the reissue portion of the Porter Records catalog.
When doing reissues, Porter works hard at creating strong relationships with the original artists or their estates. This allows Porter to respect not only the original vision of the artist and their recordings, but also to respect the vision the artist has for the future. Porter’s goal is to make these reissues more widely known and recognized as important pieces of art within their respected genres.
Porter Records is more than a reissue label. Porter has over 40 releases by modern composers and performers that bring something special to the current day music tapestry. Each release is like a hidden jewel providing its own unique color and brilliance. Porter Records is very proud to have such talented artists and a diverse catalog of genres in a time when the music industry is pumping out replica after replica.
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