Between The Buried and Me “The Parallax II: Future Sequence” | Metal Blade Records
Five piece Between The Buried and Me are some of the most talented musicians around, showing a level of technique that leaves the mind in pieces after contact. The band has gone the extra mile this year and last year as well with a very different set of releases in their catalog in The Parallax and The Parallax II. Surrounded around a concept and storyline that sets the music into a very specific direction of composition, it’s stunning to see the musical setting of a band who explores this much territory of sound go even further with the experimental side of things. When we got The Parallax II: Future Sequence in, we knew right away this was a record we would really stand by. To hear music composed in this form is within itself a rare treat but to hear so many refreshing forms of music channeled into the groups body of works show how much they are willing to step out on the edge. The results are a band who took the time needed to put this many musical ideas into a record with the type of achievement obtained in all forms of the music present. In other words, The Parallax II: Future Sequence is mind blowing in every way possible and requires a lot of attention on the listen to grab everything going. It’s a challenging listen and with any challenging listen the rewards are infinite when giving yourself to it in the right way.
The conceptual basis of The Parallax story is just as important as the music, setting in place the purpose of the music. “Both men exist in isolation, one because he runs away from the life that is his and the other when he leaves his dying planet in the hope of creating new life elsewhere, through the planting of souls,” explains vocalist Tommy Rogers. “As the story progresses you realize they are actually the same person, and at the end of the journey they’re responsible for destroying all life as they know it, reinforcing the idea that humanity is a destructive species, and that there’s some kind of innate flaw about us that causes us to destroy everything we touch.” The music is just as exploratory as this description sounds, becoming the groups most accomplished, exotic and varied body of work to date. The heavy metal parts of their past works are still intact but are placed around long passages of Yes esk interplay and a state of experimentalism that taps into some interesting states of music that are more associated with time travel than a genre or scene. The technicality the band is known for is never removed on these concepts records as each member commands their instrument with precision.
The moments that really grab me are the experimental sections. “Lay Your Ghosts to Rest” has a remarkable section close to the ending that sounds like something Praxis would create. Fretless bass and highly dynamic drum work lay back in the groove with ease while exotic guitar embellishes the music. “Extremophile Elite” also has a section that sounds like Praxis with vocal work that is reminiscent of Les Claypool. To hear the band snap back into highly charged metal parts that move in snake like patterns is beyond words. “Telos” is the song on the album that I am drawn towards the most, as the level of technical approach is off the charts and the experimental break down is exactly what I love about music. The drums become highly involved while the guitar brings shades of early 70′s Pink Floyd. It’s a very timeless sound and shows how much soul the group has. The break down is washed over with a very psychedelic synth that goes everywhere and gives it that extra dimension none of the rest of the record has.
I don’t listen to a lot of metal but this was one album where the artwork, the concept and bands history pulled me in. The Parallax II: Future Sequence lives up to the bands technical prowess and shows a band whose evolution defines a much larger scope in terms of influence and possibilities. I love technical music that is this powerful and dynamic. I really feel like I am inside of a Fantomas, Praxis or Yes record when I hear The Parallax II: Future Sequence.
-Erik Otis
Order the album directly from the bands official website HERE
+++
Between the Buried and Me’s video “Astral Body” from the album “The Parallax II: Future Sequence”. Directed by Wes Richardson – www.wesrichardson.me
Sound Colour Vibration
Music | Art | Film | Technology | Science | Gear | Culture
Sound Colour Vibration covers a wide variety of genres past and present and will continue to bridge the many cultures of music, film and art. SCV is a vehicle to present these three mediums of art as one collective window that shows the creative evolution of the human race in modern times. We cover timeless art, film and music, not just what's in or what record sales dictate. Our site includes interviews, album and film reviews, online art gallery, streaming music podcast series and much more. We are also known as SACVS (Sound and Colour Vibration Society). Learn more about the different areas that represent Sound Colour Vibration HERE Read an exclusive interview with Sound Colour Vibration's Erik Otis for Conversations with Bianca by clicking on the link below Conversations with Bianca "With the power of soul, anything is possible" - Jimi HendrixLatest Articles
- Magnet Releasing presents the red band trailer for V/H/S/2 | Film News May 23, 2013
- Q&A with Bill Laswell | Interview Features May 23, 2013
- RLP offers the stream of the debut album from Eureka The Butcher ‘Music For Mothers’ | Music News May 22, 2013
- 1979 documentary on “New Age Music” pioneer Iasos | B.F.T.P. 393 May 22, 2013
- Prefuse 73 starts new label Yellow Year Records and begins with 12 month collab series ‘Speak Soon’ ft Teebs, Dimlite, Lapalux, Nosaj Thing and more | Music News May 22, 2013
- Jon Hopkins “Open Eye Signal” Domino Records | Official Music Video May 22, 2013
- Staubgold represses CD and LP versions of Patrick Vian’s 1976 masterpiece ‘Bruits et Temps Analogues’ | Music News May 21, 2013
- Snow Dog Records offers a new batch of Black Jazz 70′s reissue CD’s | Music News May 21, 2013
- Bill Laswell’s Method of Defiance offers new LP ‘Nahariama 4th Column’ | Music News May 21, 2013
- Documentarian Janet Tobias releases heartbreaking No Place On Earth | Film Reviews May 21, 2013
- Chartmaker reissues legendary Westcoast acid psych masterpiece ‘Goldenrod’ on LP | Music News May 21, 2013
- First official vinyl pressing of Joy Division’s historic 1979 YMCA show in London | Music News May 21, 2013
- Quadron “Hey Love” Vested in Culture | Official Music Video May 21, 2013
- Shortcircles premieres his debut single “On My Mind” via Plug Research | Music News May 21, 2013
- Tricky’s new LP ‘False Idols’ streaming in full via NPR | Music News May 21, 2013
- Kaytranada ‘Kaytra Todo’ HW&W | Album Review May 21, 2013
- EarthQuaker Devices redefines modulated delay with the new Disaster Transport SR | Instruments, Gear & Software May 21, 2013
- Rick Rodriguez live painting from Joshua Tree Music Festival, May 2013 | CiM 267 May 20, 2013
- Beat Swap Meet returns to LA Sat & Sun June 22nd-23rd | Music News May 20, 2013
- Buddy Guy live in 1969 with Jack Bruce, Roland Kirk, Buddy Miles and others | B.F.T.P. Vol 392 May 20, 2013
- SCV joins dublab’s Proton Drive Fundraiser May 29th, 2013 (4-8pm) | Music News May 20, 2013
- Wu-Tang Clan present the 7″ 45RPM “Execution in Autumn” | Music News May 20, 2013
- ☒hLX offers the new three song EP ‘Ephesta’ | Music News May 20, 2013
- Kaveh Hosseini’s surreal, psychedelic and abstract photography | CiM 266 May 20, 2013
- ‘The Dance of Reality’, premiered at Cannes Festival, warmly welcomes back Alejandro Jodorowsky | Film News May 19, 2013
- Japanese surrealist painter Naoto Hattori | CiM 265 May 19, 2013
- ‘Pandora’s Promise’, groundbreaking documentary by director Robert Stone, opens 6/14 | Film News May 19, 2013
- FYF Fest 2013 with headliners My Bloody Valentine and Yeah Yeah Yeahs | Music News May 19, 2013
- Tom Hanks stars in the new biopic ‘Captain Phillips’ about the Maersk Alabama hijacking | Film News May 19, 2013
- Debut trailer for Vin Diesel’s ‘Riddick’ premieres this week via Machinima | Film News May 19, 2013
SaCvS Twitter
- Magnet Releasing presents the red band trailer for V/H/S/2 | Film News wp.me/pMKub-7Wn 28 minutes ago
- Q&A with Bill Laswell | Interview Features wp.me/pMKub-7W0 40 minutes ago
- RLP offers the stream of the debut album from Eureka The Butcher 'Music For Mothers' | Music News wp.me/pMKub-7VW 14 hours ago
- 1979 documentary on "New Age Music" pioneer Iasos | B.F.T.P. 268 wp.me/pMKub-7VP 14 hours ago
- Prefuse 73 starts new label Yellow Year Records and begins with 12 month collab series 'Speak Soon' ft Teebs, Dimlite, Lapalux, Nosaj Thing… 16 hours ago
- Jon Hopkins "Open Eye Signal" Domino Records | Official Music Video wp.me/pMKub-7VE 16 hours ago
- Staubgold represses CD and LP versions of Patrick Vian's 1976 masterpiece 'Bruits et Temps Analogues' | Music News wp.me/pMKub-7Vy 1 day ago
Traffic at SCV
- 867,623 visits
Sound Colour Vibration’s Mixcloud Channel
Hour long mixes with music from all over the globe and from many different time periods. Our mixes contain no commercials or a host and are compiled from the depths of our collections. Expect the unexpected.
If you would like to listen to our mixes on your iPod, grab the Mixcloud App here http://itunes.apple.com/us/app/mixcloud/i
Exclusive Interviews
Primitive Man
John Howe
The Evens
Kevin Greenspon
Jahshua Smith
Dandy Teru
Headshotboyz
Call of The Void
Simon Larbalestier
Submerse
The Bear and The Sea
Homeboy Sandman
Tshombe Sekou
That Purple Bastard
Mo Kolours
Mylets
Rob Crow
Astronautica
Revocation
Tunde Olaniran
Barna Howard
Patrick Watson
Zack Wentz
The Cactus Channel
Masta Ace
Jeremiah Cymerman
Evan Caminiti
Justin Pearson
Walter Gross
Poppy Perezz

Daniel "Thing" Stiner
Mono/Poly
Mokobe
Psychopop
Sandro Perri
Nikko Gray
Juma Sultan
Kayo Dot
David Cristobal
Zammuto
Volcano!
Saul Williams
Nice Nice
Chor Boogie

Kevin Macdonald

The Gaslamp Killer
Damon Locks
Kimmy Robertson
Dot
Sonnymoon
Deafheaven
Kris Kuksi
Salva
Big Sir
Dustin Wong
Julian Lynch
Odd Nosdam
Deerhoof
Young Widows
Emika
Elzabeth Olsen and Sean Durkin
Nicolas Winding Refn
Mia Doi ToddJonathan Hischke
Hella
Canon Blue
Strangeloop
Deantoni Parks
Greg Errico
Zechs Marquise
RX Bandits
Danny Paul Grody
Ilyas Ahmed
The Get Up Kids
Lisa Papineau
Joe Lally
Remy LBO
Austin Peralta
Nick Kuepfer
Michael Ray
Free The Robots
Brian Ellis
Miguel Atwood-Ferguson
Elliott Levin
Thomas Pridgen
Nicole Turley
Mendee Ichikawa
Teebs
Sonny Kay
Ikey Owens
Label Spotlight
Porter Records
2935 S. Fish Hatchery Rd, #414
Madison, WI 53711 / USA
Porter Records was born in 2005 out of a love for crate digging in the basements of record shops. Porter’s founder, Luke Mosling, has a talent for finding the obscure, beautiful and strange recordings that may have previously gone unheard by a larger audience. This talent started the reissue portion of the Porter Records catalog.
When doing reissues, Porter works hard at creating strong relationships with the original artists or their estates. This allows Porter to respect not only the original vision of the artist and their recordings, but also to respect the vision the artist has for the future. Porter’s goal is to make these reissues more widely known and recognized as important pieces of art within their respected genres.
Porter Records is more than a reissue label. Porter has over 40 releases by modern composers and performers that bring something special to the current day music tapestry. Each release is like a hidden jewel providing its own unique color and brilliance. Porter Records is very proud to have such talented artists and a diverse catalog of genres in a time when the music industry is pumping out replica after replica.


























































































